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In 2017, Hong Kong's newly appointed Secretary for Security, M.B. Lee (Tony Leung Ka Fai), vanishes without a trace. Desperate for answers, Commissioner of Police Sean Lau (Aaron Kwok) turns to Senior Counsel Oswald Kan (Chow Yun Fat), who unlocks a long-sealed classified file from 1994 — one that holds the key to the crisis unfolding two decades later. Flashback to 1994, before Hong Kong’s handover to China. As the Special Branch of the Royal Hong Kong Police Force prepares to disband, the kidnapping of a powerful business tycoon ignites a dangerous covert power struggle within the force. Caught in the conflict are two officers: the passionate and righteous M.B. Lee (Terrance Lau) and the cold-blooded and ambitious Peter Choi (Daniel Wu). Four formidable factions — the city’s wealthiest family, the Poon’s (Tse Kwan Ho and Wu Kang Ren), the police, the triads, and the British authorities — are drawn into a deadly vortex of ambition, betrayal, and hidden agendas. As old alliances fracture and new ones form, Hong Kong stands on the brink of a seismic power reshuffle that will cast a long shadow into the future. From award-winning director Longman Leung comes “Cold War 1994”, an epic prequel to the acclaimed “Cold War” series, featuring an unprecedented cast of ten Film Awards’ Best Actor winners. A spectacular cinematic event, set to debut in Hong Kong later this year.
Michael is the cinematic portrayal of the life and legacy of one of the most influential artists the world has ever known. The film tells the story of Michael Jackson’s life beyond the music, tracing his journey from the discovery of his extraordinary talent as the lead of the Jackson Five, to the visionary artist whose creative ambition fueled a relentless pursuit to become the biggest entertainer in the world. Highlighting both his life off-stage and some of the most iconic performances from his early solo career, the film gives audiences a front-row seat to Michael Jackson as never before. This is where his story begins. Michael stars Jaafar Jackson in his feature film debut, Nia Long (Empire, The Best Man franchise), Laura Harrier (BlacKkKlansman, Spider-Man: Homecoming) and Juliano Krue Valdi (The Loud House, Arco), with Miles Teller (Top Gun: Maverick, Whiplash) and two-time Academy Award® nominee Colman Domingo (Sing Sing, Rustin). Directed by Antoine Fuqua, the award-winning filmmaker of Training Day, Olympus Has Fallen and The Equalizer franchise, from a screenplay by three-time Academy Award® nominee John Logan (Gladiator, The Aviator), the film is produced by Academy Award® winner Graham King (The Departed, Bohemian Rhapsody), John Branca (executive producer This Is It, Thriller 40) and John McClain (executive producer This Is It, Michael Jackson Live at Wembley July 16, 1988). The film is distributed by Lionsgate in North America and Japan (in partnership with Kino Films), and by Universal Pictures internationally.
In the heart of a botanical garden in a medieval university town in Germany stands a majestic ginkgo tree. This silent witness has observed over a century the quiet rhythms of transformation across three human lives. 2020, a neuroscientist from Hong Kong, exploring the mind of babies, begins an unexpected experiment with the old tree. 1972, a young student is profoundly changed by the simple act of observing and connecting with a geranium. 1908, the university’s first female student discovers, through the lens of photography, sacred patterns of the universe hidden within the humblest of plants. We follow their clumsy, awkward attempts to connect — each one of them deeply rooted in their own present — as they are transformed by the quiet, enduring, and mysterious power of nature. The ancient ginkgo tree brings us closer to what it means to be human — to our longing to belong.
Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in 20th Century Studios’ “The Devil Wears Prada 2,” the eagerly awaited sequel to the 2006 phenomenon that defined a generation. The film is directed by David Frankel, written by Aline Brosh McKenna, produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and Aline Brosh McKenna.
In the wake of a violent political coup that shakes the Joseon dynasty, King Yi Hong-wi is dethroned and sent into exile. Meanwhile, in the remote mountain village of Gwangchungol in Yeongwol, village chief Eom Heung-do struggles to provide for his people. Hoping to revive the village, he volunteers Cheongnyeongpo as a place of exile, believing it will bring great fortune. However, the man he welcomes is not a powerful noble, but the young, dethroned king, Yi Hong-wi. Tasked as the warden responsible for the exile, Eom Heung-do must watch Yi Hong-wi’s every move. As days pass, however, he grows increasingly concerned by the boy who has lost the will to live.
In this witty, new breed of mystery, George (Hugh Jackman) is a shepherd who reads detective novels to his beloved sheep every night, assuming they can’t possibly understand. But when a mysterious incident disrupts life on the farm, the sheep realize they must become the detectives. As they follow the clues and investigate human suspects, they prove that even sheep can be brilliant crime-solvers.
Misora Shimizu faced repeated setbacks in her job search until she met funeral director Reiji Urushibara. Under his guidance, Misora began interning at the funeral company "Bando Kaikan." However, Reiji's strict instruction left Misora feeling frustrated every day. At the same time, she was moved by Reiji thoughtfulness and attitude towards the families of the deceased and the deceased themselves. Whenever a coffin was carried out, Reiji would softly say, "We will soon say goodbye," leaving a deep impression on Mizuki and making her aspire to become a funeral director like him. "An eternal farewell will eventually come to everyone," she pondered. What kind of funeral can satisfy the bereaved while also bringing peace to the deceased? Misora decided to follow in Reiji's footsteps, and he gradually began to trust her. Together, they completed countless funerals, striving to provide the deceased with the "most perfect farewell."